Friday, September 28, 2012

I saw the sine, and it opened up my pi

Ear worms: Those songs you get stuck in your head. Like Ace of Base's I Saw the Sign. And then things happen, like you're thinking about math, and then the two end up mixing. It turns into something like this:


I, I got a new graph
You would hardly recognize it
I'm confused
Why would a person like me ever use-
Why would I bother
When it's not the math for me?
Ooooooo
Can't apply, apply

I saw the sine and it opened up my pi
I saw the sine
Class is for graphing without understanding
I saw the sine and it opened up my pi
I saw the sine
No one's gonna drag me up to get into the life where math belongs...
But where does it belong?
Under the full moon
For so many years I've wondered what it meant
When would a person like me ever use it?
JPEG compiling
Whenever I hear a song
Ooooo
It's applied, applied

Towards the full moon
For so many years
We wondered how to fly
and how does my GPS bring me home?
Watching New Moon
beamed from satellites among stars
Oooooo
it's applied, applied

I saw the sine and it opened up my pi
I saw the sine
Class is for graphing without understanding
I saw the sine and it opened up my pi
I saw the sine
No one's gonna drag me up to get into the life where math belongs...
But where does it belong?
Under the full moon
For so many years I've wondered what it meant
When would a person like me ever use it?
JPEG compiling
Whenever I hear a song
Ooooo
It's applied, applied

I saw the sine
And it opened up my pi
And ballistics don't go
flying without you
I saw the sine
And it opened up my pi
I saw the sine
No one's gotta drag math out
To get into life where it belongs

I saw the sine, I saw the sine, I saw the sine, I saw the sine

I saw the sine
And it opened up my pi
I saw the sine...


(As a courtesy to your ears, I have refrained from actually trying to sing this...)

What's another song that could be spoofed into math? 

Wednesday, September 26, 2012

Tea Review: Copper Knot Hongcha



Copper Knot Hongcha


Reviewed by: Juturna F.
Type of tea
Black, loose-leaf
Flavor aspects
Natural
Where I got it
Teavana
Cost
$9.80 (USD) per 2 oz.
How I brewed it
Filled electric kettle with cold, filtered water. Heated to 190F. Steeped 2 scoops tea in 2 cups water (in a large teapot) for 2 minutes. Strained out tea leaves while pouring tea into mugs.
Rebrewing notes
Although we didn't brew it a second time, from the light flavor I would expect this tea would probably make a decent second brew but lose flavor by the third. Still, we didn't actually try it, so I wouldn't say for sure.
Review
To me Copper Knot really does taste vaguely like copper. It's a classic, natural "black tea" taste, but because it's a lighter flavor than most black teas, it winds up almost tasting metallic, with a hint of citrus tang minus the citrus taste. I think it's a tea that should be drunk plain--milk and sugar would certainly be too much and overpower the flavor--but if you were going to sweeten it, a little lemon and honey would probably go very well.

I really like this tea. Even though it was named for its color and not its flavor, the name is apt for the taste, too. It's something I can see drinking in the afternoon, curled up with a good book or just relaxing on the balcony. If you like unflavored English Breakfast or Earl Grey, especially if you drink either plain or with lemon and honey, you'd probably like Copper Knot. Do remember that it's not as strong and will probably taste weak the first time you sip it, but don't overbrew it to compensate (We brewed it too long the first time and it came out quite bitter and far too dark, ruining the tea. Go with 2 minutes instead of 3 and don't use water that is too hot). The lighter flavor is part of the charm, and is what creates the unique metal taste.


Copper Knot Hongcha


Reviewed by: Nyssa Mehana
Type of tea
Black
Aroma
Earthy (loam) and sweet (honey)
Where I got it
Teavana
Cost
$9.80 (USD) per 2 oz.
How I brewed it
Filled electric kettle with cold, filtered water. Heated to 190F. Steeped 2 scoops tea in 2 cups water (in a large teapot) for 2 minutes. Strained out tea leaves while pouring tea into mugs.
Rebrewing notes
Did not rebrew.
Review
Color:
Rich copper color (From the golden and black tea leaves intertwined). The color is my favorite part of this tea, so use a clear or white cup so you can truly appreciate it!

Flavor:
A medium-bodied tea. (Not too in-your-face)
Slightly metallic taste from gentle tannins.
Earthy-quality, like loam
Slight hint of honey-sweetness
Not bold enough to add milk or sugar to. Best enjoyed by itself.
Smooth taste, not bitter. Very enjoyable!

Personal opinion:
Easily drinkable and quite enjoyable! Not too bold of a flavor, so can be enjoyed by itself. Don’t eat anything too bold while you’re drinking it or you’ll lose the nuances of the tea’s flavor. I haven’t tried re-brewing it, but it’s worth a shot. LOVED the copper color.



(Learning to Like Tea Part 1Part 2Part 3, Guest Post: Types of Tea, Guest post: Getting the Best Cup of Tea)

Monday, September 24, 2012

State Fair Rides and the Fun of Fear

Every year, the North Carolina State Fair settles itself for a two-week sojourn in the middle of Raleigh (at the aptly named NC State Fairgrounds, even). I love the state fair. There’s dust, tractor smoke, giant vegetables, homemade fudge and ice cream, roasted nuts, food that shouldn’t be fried but is anyway, amazing art tucked away in strange places, hawkers to guess everything from weight to birthdays, hot tub and gazebo sale stands (for those impulse buys, you know), and $5 prizes that can be won from Midway games for $1 (but usually cost around $15-20, depending on tries).

And rides.

Oh, the rides.

We’re not talking Carowinds or Busch Gardens roller coasters. The mini-coaster the fair has is a turbulent track of hairpin turns, bone-rattling noise, and tiny interludes of forgotten gravity. It’s cute, but the portable track scarcely earns the title of “roller coaster” when compared to the permanent structures of dedicated roller coaster gardens.

These are more the Wheel-of-Fire type of ride, steel and plastic monstrosities that can be assembled in a day and night of hard work and lots of early October sweat, courtesy of North Carolina’s love affair with long summers. Rides that a piece of the soul trembles to see, not because they are the fastest or the craziest or the most amazing rides in the world, but because there’s always that little piece of doubt that wonders if anything so portable can be safe, and yet is absolutely certain that something so ephemeral must be tried, for surely the best of all adventures must not be missed for mere trepidation.

I'll stand in line for as long as it takes (generally it's best to go early, before the teenagers wake up) to experience my hair-raising moment of horror. Last year we got there so early we could barely keep our eyes open, so to wake up we queued up for the drop tower. Better'n coffee, that's for sure.

The click-click-click of the rising seats, that feeling of intense dread as I looked out over the heads of the already-a-crowd and the other rides, until I was eye-to-eye with the top of the tallest Ferris Wheel and then higher still... I once heard a woman at theme park tell her scared son that being frightened is fun. It isn't. I don't ride the rides because I like being scared out of my mind; there's nothing pleasant about the dread building during that slow ascent with a stomach-churning finality of can't-turn-back-now.

Then at the very top--that moment of utter stillness, that moment I know they build in just to taunt me, before the catch releases--and then OH MY CHERRIES I'M FALLING when my stomach stays at the top and everything else plummets with the sheer certainty of imminent doom--and then pssssh the ride slows down and I weigh a thousand pounds as gravity reasserts itself and we're cushioned by air and thankfully strong steel.

I don't really enjoy any of that. It's scary.

What I like is what comes immediately afterwards. Then, I'm powerful. I just survived a hundred-foot drop. Thanks to lovely biology, the awfulness of fear causes my body to make adrenaline, and that adrenaline makes me feel stronger, bolder, quicker.

It makes me a Superhero.

I like being a Superhero.

That is why I ride scary rides. That's what the appeal is, because for a few short minutes afterward, I am invincible. Do it enough times, and a conditioned response forms: ride=fear, fear=adrenaline rush, adrenaline rush=Superhero, Superhero=fun. Therefore, ride=fun.

Am I an adrenaline junkie? No, sorry, I limit myself to nice safe theme park and state fair rides. But every year I go back, and I go on, despite the fact that I know I'll be sore the next day. And I always have fun, even when I'm scared witless.

Although maybe I'll skip the drop ride this year. Superhero or not, that thing scares the cherries out of me.

Do you like rides, at your state fair or at a theme park? Which is your favorite?

Friday, September 21, 2012

Publishing Industry News

Publishing industry news and helpful blogs for 9/7-9/21.


Industry News

Don't be a stalker. Don't be creepy. Don't assault the agent that rejected you. I'd think that would go without saying, wouldn't you? Apparently not.

Wal-Mart will no longer sell Kindles. Apparently they're tired of the competition pressure from Amazon, too, following in Target's footsteps after the other retailer stopped carrying Kindles.

Apple, Simon & Schuster, HarperCollins, Hachette Livre, and Germany's branch of Macmillan have settled with the European Commission in the EU e-book pricing-fixing inquiry. Penguin Group did not settle. This case is the European version of, but is not the same case as, the American Apple and Big Publishers vs the DOJ.

In another lawsuit, an American one parallel to but again not the same as the DOJ lawsuit, the States vs. Publishers settlement is on track towards its final hearing. There will be a public hearing in February, but anyone wanting to voice an opposition must apply to do so by December 12.

HarperCollins, Hachette, and Simon & Schuster settled with the DOJ; HarperCollins begins to fill their terms in the settlement.

Bob Kohn, music industry attorney, files a stay for the settlement in hopes of obtaining an appeal. Both the DOJ and the settling publishers urge the courts to deny the stay. Meanwhile, Penguin and Apple prepare to go to trial. Their strategy appears to be to put Amazon on trial. They try to subpoena Amazon, and Amazon resists.

In the Authors Guild vs Google case, the Second Circuit Court of Appeals grants a stay until it rules on whether or not to allow the Authors Guild to have class status.

Hachette will be raising the prices of their e-books to libraries. The American Library Association is not pleased.

Back in May, the courts ruled that Georgia State University did not violate copyright laws by allowing professors to grant electronic access to students to copyrighted works. Publishers are now appealing the ruling.

In cased you missed the post on Monday, Harper Voyager will be accepting unagented manuscripts from Oct. 1- Oct. 14.


Industry Blogs

QueryTracker's Publishing Pulse for 9/14 and 9/21.

On QueryTracker, Danyelle Leafty offers an assortment of online writing resources from grammar sites to industry news to author writing pages. Stina Lindenblatt advises you to watch what you say-- don't criticize other people out of jealousy for their success, or value their success only if you have similar success, or promote yourself into spam.

Lindenblatt also posts a Cool Links Friday.

If an agent is asking about your publishing credentials, but you're a debut author, what can you do? Rachelle Gardner suggests you pitch your potential. Make your ideas new and exciting, have a list of ideas for possible projects, mention your social media and social networking abilities, and be an terrific writer in every part of the process.

Gardner also gives advice on the secrets of a great query. Make sure you include your name, your genre, your publishing history if you have one, and the name of your book. Start with your plot catalyst.

If  you have a question you think a literary agent could answer, ask New Leaf Literary & Media has a place you can ask.

On the Editor's Blog, you're told to remember to use senses other than sight.

Advice on how to write a one-page synopsis at the Publishing Crawl.

And Spunk on a Stick offers a timeline for promoting your book.

Self-published authors share the one way they got the most promotion, and the one thing they wished they knew before they began.

GalleyCat offers advice for writers' profiles following the recent Twitter update.


What publishing industry news have you encountered over the past two weeks?

Wednesday, September 19, 2012

Wednesday Writing Exercise: NaNoPlot

November is just a month and a half away. If you're a writer, you may have heard of NaNoWriMo (National Novel Writing Month). Chances are, if you're planning on doing a NaNoWriMo project, you're thinking of what to do.

If you haven't already, today's writing exercise is to come up with a couple of ideas. Later, as you investigate each, you can choose which most appeals to you.

Here are a few of my ideas, as an example:

An ordinary human woman hates the phrase "Why me?" believes that people should ask "Why not me?" instead, and becomes a hero in a world stocked with supernaturals.

Layla got turned into a frog. Now she's applying for a license to be a familiar--but when the contract ends, she'll have to choose between being a frog and staying with the wizard she loves, or marrying an arrogant prince for a kiss to be human.

Either you're born with magic or you're not. Except for Trax, that is, who used to be a rock star until his sister gave him music magic to save his life. Now a man who destroyed half the country in the name of research wants to experiment on him and steal the secret to his magic, and doesn't care if the whole world is lost in the process. To stop the mad scientist, Trax will have to master the magic that ruined his life.

What are your ideas? Which idea do you think I should try to write next?

Monday, September 17, 2012

Harper Voyager Accepting Unagented Manuscripts


Just a link today, for anyone with a manuscript more than 70K that's ready to go:

Harper Voyager, who publishes George R. R. Martin, Kim Harrison, Raymond E. Feist, Robin Hobb, Richard Kadrey, Sara Douglass, Peter V. Brett and Kylie Chan among others, will be accepting unagented manuscripts from Oct. 1 to Oct. 14 for a digital-only line, with the possibility of print release later.

So if you're looking to publish, now might be your chance. They're looking from everything from dystopian horror to YA to urban fantasy to science fiction.

Friday, September 14, 2012

The DOJ Lawsuit Debate Explained: What's the Big Deal?


The Department of Justice vs Apple and Five Major Publishers lawsuit (and settlement) is a big issue in the publishing world right now. It touches on many aspects of the industry, deals with issues that have no clear answers, and has sparked a lot of arguments.

This lawsuit claims that the traditional publishers colluded to raise e-book prices by changing their bookselling model to the agency version, all at the same time. When they changed their model, Amazon was forced to raise their prices too. That meant Amazon was no longer capable of selling the books below the cost it took to produce, store, and distribute them, which Amazon had been doing for a while with the result of taking a loss while undercutting brick-and-mortar stores that sold for profit.

Those are the basic facts of the lawsuit, but it’s also about more than that. This is a look at the different aspects of the argument, the implications and possible implications of the lawsuit, and what’s got people arguing when they talk about the lawsuit and settlement.


What the DOJ Lawsuit Is Really About

The DOJ lawsuit is about how much voice traditional publishers have in setting the prices of the books they produce. Another way to say this is that this lawsuit is a debate on whether or not Amazon (or other booksellers) should be allowed to price books below the cost of producing and distributing the book.

(Point of argument #1: Some people call this below-cost pricing honest competition, because it brings books to readers at lower prices and allows the consumer to drive the market through choosing the lowest-priced book. Others call it predatory pricing, because it undercuts competitors and pretty much forces them out business when they either have to sell at a loss or lose all their customers.)

The debate could also be described as whether or not we, as buyers, want to move from having brick-and-mortar stores such as Barnes and Nobles and Borders to buying books entirely through online vendors that sell many products, who can afford to take a loss in books (at least in the short-term) because of the profits they make in selling other things. Brick-and-mortar bookstores cannot offer the same low prices, because books are the only things they sell, and anyone with basic addition/subtraction skills can tell you that if you constantly sell all your products at a loss, you'll run out of money really quickly and have to go out of business. Especially since brick-and-mortar stores also have to do things like pay their employees to know books well enough to help customers and to keep their showrooms well-stocked and pretty, while online merchants can throw books in an ugly warehouse between "body socks" and "bungie-jumping rope" and use formulas to recommend and sell books.

(Point of Argument #2: Brick & mortar bookstores may be replaced by online-only stores. Books would then only be sold online or in places that don’t specialize in books, thereby limiting selection and possibly eliminating the bookstore experience. Some people think this is a natural progression of business, while others mourn the loss of the bookstore and the bookstore-browsing experience, which is still one of the main ways readers find new authors: by the 2011 RWA readership statistics, the 3rd most common way.)


Where Traditional Publishers Fit In

It ends up sounding like traditional publishers really have no business interfering; it's a price-war between Barnes and Noble and Amazon, right?

Not quite, because both places get their books from the publishers. And Amazon has, in the past, forced publishers to sign contracts that favor Amazon, by virtue of threatening to not offer the product. Amazon is a major source of revenue for publishers, and the publishers can't afford to have all their books removed from the site. So Amazon gets some books at a lower price than B&N or gets terms that are more favorable to it than B&N gets. (Note that publishers have successfully also used the reverse tactic of not allowing Amazon to sell their books until Amazon agreed to their terms.)


How Self-Publishing Fits In

Why would publishers keep trying to sell through B&N, when so much revenue comes through Amazon anyway? Because the publishers are already suffering due to the competition from self-publishing, with the rise of the cheap self-published e-book.

This is the only place that self-publishing is involved: the timing of the lawsuit comes at a time when publishers are already struggling.


Where Authors and Readers Fit In

Books published by traditional publishers are more expensive than self-published books because the publishers invest more in the author and the services for the author, such as professional editing and cover designs and advances. Yet, as the traditional publishers have to tighten their belts because of the increased competition, they also end up cutting corners. The tighter the belt, the less they can offer authors.

Meanwhile, Amazon, with its larger pool of resources, has begun to offer traditional publishing services. So Amazon suddenly has an interest in other traditional publishers taking a hit. If other major traditional publishing companies fail or appear to be failing, then new authors who want to go the traditional publishing route will be more likely to go to Amazon than to the struggling publishers, because Amazon--thanks to its diverse markets--can continue to offer the services the other publishers are starting to skimp on.

The more quality and best-selling authors Amazon signs, the more readers will consider them a legitimate publisher. The more readers who begin to look for the Amazon Publishing releases for new, high-quality, traditionally-published writers, the more Amazon takes over the role that the Big Six of traditional publishing used to play.


Back to Competition

In my evaluation, Amazon can out-compete other traditional publishers. I don't really see any way around that outcome unless traditional publishers successfully change their business plan to something new and entirely different. Specialized companies usually do get out-competed by diverse operations; diversification is a financially sound business decision. Amazon's biggest competition worry with this business plan is that another supergiant retailer will start picking up the same tactics (although none have so far*).

*Purely personal prediction, but I'd say that Apple is probably the biggest threat, having already tested the waters of offering self-publishing and being a major retailer of devices on which people can read e-books. Other digital media companies are probably close-runners up, and I wouldn't be terribly surprised to see, say, Google stepping into the market in the future.

(Point of Argument #3: Authors aren’t sure whether or not their current publishers will survive. If there are no other publishers besides Amazon, authors may not have any choices on the terms of the contracts they sign. While the terms may be great right now, if Amazon becomes the only option, writers fear the terms will become unfavorable in the future, because there will be nowhere else writers can go for traditional-style publishing. Others argue that of course new publishers will crop up, or old publishers will finally change terms that many have felt were unfair to authors anyway.)


What the Lawsuit Is NOT

What the lawsuit isn't, is a comparison of self-publishing and traditional publishing. Self-published authors always set their own prices (within certain bounds). Amazon doesn't go around habitually offering the same self-published book on KDP cheaper than Barnes and Noble does on PubIt!; most authors sign contracts agreeing to not offer lower rates on other mediums, so the price is more or less consistent among the different markets.

Yes, the two issues are tangentially related. The coincidence of their timing makes a very large difference in the traditional publishers' resources. But it’s not the argument involved in the DOJ lawsuit.


The Real Argument: What’s Best in the Long Term?

The DOJ lawsuit is actually a case that is trying to interpret the definition of competition. Is allowing one company to offer the lowest prices by subsidizing their losses through other sales good for competition? Or does it hurt competition by cutting out other companies' ability to thrive?

I don't question that allowing Amazon to offer lower prices to consumers is better for consumers in the short-term, or that the publishers forcing Amazon to raise their prices through switching their business model was irritating. Heck, I like saving money. I certainly don't like when prices go up. But it's not the short-term consequences that have people riled about the issue.

What all the points of argument are trying to get at is this: Whether or not it benefits consumers and authors in the long-term remains to be seen.

If Amazon never raises prices, other diversified companies enter the market, or traditional publishers work together with non-Amazon book retailers to create alternate business plans that allow both to make a profit while offering prices as low as Amazon (and assuming Amazon does not lower their prices even further), then yes, the settlement and the DOJ winning the lawsuit against the publishers might be best for the consumers. Any one of those three options might turn the short-term benefits to consumers into long-term benefits. But none of those scenarios are guaranteed, and there's no hint that they are happening yet. And that's what has people up in arms about the DOJ lawsuit.

What do you think about the DOJ's lawsuit? How do you think the publishing industry will change? Would it be good for consumers in the long run if the DOJ wins, and why?